A cinematic masterpiece: a breathtaking panorama of the Genesis Tower, with its circular dial displaying the Ethiopian calendar and the time in Ge'ez and English, and its gilded bell, integrated into its upper section.

Visitors wandering the UN grounds found themselves drawn to the structure, their voices dropping to whispers as they approached. The tower was not a solid obelisk; it was a sanctuary. Its base featured arched doors carved from dark, polished wood, leading to spiral staircases that wound upward through the marble core. There were windows—narrow, light-filled slits—that offered, at every landing, a different perspective on the world. From one side, you looked out upon the churning, metallic pulse of New York City; from another, the calm, grey expanse of the Hudson River flowed toward the sea.